Julia Tarissan (FR)
Film -

In a village, Camille, 10 years old, is looking for something to do. He finds St4r, a funny animal who follows him everywhere. Beatrix, his adult friend, decides that they will form a family. Then the phone rings, Béatrix is ​​selected to participate in her favorite reality show, finally. But there is no more gasoline in 2026. St4r has an idea: they are going to build a flying machine to rob the refinery that we see in the distance. It will be fun.

The ST4R short film takes place in the heart of a French provincial classic village in appearance, it turns out to be much more complex and full of absurdities. The village is a place that inspires me, it reminds me of my childhood when everything seemed possible and at the same time so impossible.

This fantastic landscape welcomes characters, each more wacky than the next: Christelle, the winner of the giant vegetable competition, the blind old man or the neighbor who is passionate about juggling. It is in this canvas that Camille, the main character, a child who behaves like an adult, evolves. He has a friend who behaves like a child. And it is her that Camille and St4r must take care of even though the world around them is worrying.

Julia Tarissan
Julia Tarissan France
Promotion Marguerite Duras

Born in 1995 in the Pyrenees, Julia Tarissan lives and works in Paris. She mixes fantastic and absurd in colorful movie sets. This led her to make various award-winning short films at festivals as well as clips supported by the Centre national du cinéma.


2019 - ... : Set Designer (Fiction, publicité, vidéo-clip)
2018 - ... : Styliste/Costumière (Fiction, publicité, vidéo-clip)
2018 - ... : Fondatrice du collectif AIRBAG
2015 - ... : Réalisatrice/Vidéaste
2013 - 2018 : DNEP, Ecole National Supérieur d’Art Paris-Cergy, Cergy, FR
2013 - 2018 : Baccalauréat Littérature Option Cinéma, Paris

    • Premier Cri Maison indépendante de production audiovisuelle
    • Le Fresnoy - Studio national des arts contemporains, Tourcoing Le Fresnoy - Studio national des arts contemporains est né de la volonté du ministère de la Culture et de la Communication d’implanter dans le nord de la France, un établissement supérieur d’enseignement artistique d’un type nouveau, pôle d’excellence d’envergure nationale et internationale, dont les références furent exprimées par quelques formules telles que « un IRCAM des arts plastiques » ou encore « une villa Médicis high-tech ».

Sa pédagogie, principalement fondée sur la production d’œuvres de toute sorte dont le point commun est l’intégration de techniques audiovisuelles professionnelles, en fait un lieu de production, d’expérimentation et de diffusion totalement inédit.